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Symbol at the very end of a staff of music which indicates the pitch for the first note of the next line as a warning of what is to come. The custos was commonly used in handwritten Renaissance and typeset Baroque music. cut time Same as the meter 2 2: two half-note (minim) beats per measure. Notated and executed like common time (4
Very Warm for May is a quintessential "lost musical from the 1930s" because of its enduring score by two Broadway legends and its surprisingly quick disappearance from the theatre scene. In 1984, recordings of the original cast performances from 1939 were discovered and which were assembled to form a long playing (LP) album and thus became the ...
very prompt, very quick: Very very fast (above 200 BPM) Rallentando: slowing down: Decelerating Ritardando: retarding: Decelerating Tardo: slow, tardy: Slow tempo Tempo: time: The speed of music; e.g. 120 BPM (beats per minute) (Tempo) rubato: robbed: Free flowing and exempt from steady rhythm Tenuto: sustained: Holding or sustaining a single ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II. The song was written for the musical Very Warm for May (1939) [1] [2] and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. [3]
The film is very loosely based on the Broadway musical Very Warm for May (1939). However, all the songs from the musical except for "All the Things You Are" were left out of the film. Some of the songs from the movie are by the writers of the original musical, Jerome Kern and Oscar Hammerstein II: All the Things You Are; That Lucky Fellow
The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
Very Good Eddie is a musical with a book by Guy Bolton and Philip Bartholomae, music by Jerome Kern, and lyrics by Schuyler Greene, with additional lyrics by Elsie Janis, Herbert Reynolds, Harry B. Smith, John E. Hazzard, Ring Lardner and Jerome Kern, and additional music by Henry Kailimai. The story was based on the farce Over Night by ...