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Kagura (神楽 (かぐら), "god-entertainment") is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase kami no kura ("seat of god"), indicating the presence of gods in the practice. One major function of kagura is chinkon (purifying and shaking the spirit), involving a procession-trance process.
A miko (), or shrine maiden, [1] [2] is a young priestess [3] who works at a Shinto shrine. Miko were once likely seen as shamans, [4] but are understood in modern Japanese culture to be an institutionalized [5] role in daily life, trained to perform tasks, ranging from sacred cleansing [4] to performing the sacred Kagura dance.
Ame-no-Uzume-no-Mikoto (Japanese: 天宇受売命, 天鈿女命) is the goddess of dawn, mirth, meditation, revelry and the arts in the Shinto religion of Japan, and the wife of fellow-god Sarutahiko Ōkami. (-no-Mikoto is a common honorific appended to the names of Japanese gods; it may be understood as similar to the English honorific 'the ...
The term became another word for the country or the location of Japan itself. The term can be used interchangeably with Toyoashihara no Nakatsukuni. A-un (阿吽, lit. ' Om ') – In Shinto-Buddhism, a-un is the transliteration in Japanese of the two syllables "a" and "hūṃ", written in Devanagari as अहूँ (the syllable, Om).
Bugaku Imperial Court Dance, 17th century, Metropolitan Museum of Art showing a dance called Soriko. Some bugaku masks. Bugaku (舞楽, court dance and music [1]) is a Japanese traditional dance that has been performed to select elites, mostly in the Japanese imperial court, for over twelve hundred years.
Kagura (神楽) or 'entertainment of the gods' includes music, dance and poetry and comprises mi-kagura of the court, o-kagura of major shrines such as Ise Jingū, and village sato-kagura. [ 2 ] Forms
Shirabyōshi (白拍子) were Japanese female entertainers in the Heian and Kamakura periods who sang songs and performed dances. They danced dressed as men. [2] The profession of shirabyōshi became popular in the 12th century. They would perform for the nobility, and at celebrations.
Kagutsuchi's birth, in Japanese mythology, comes at the end of the creation of the world and marks the beginning of death. [4] In the Engishiki , a source which contains the myth, Izanami, in her death throes, bears the water goddess Mizuhanome , instructing her to pacify Kagu-tsuchi if he should become violent.