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This verse begins in the same style as the earlier antitheses, that natural desire for retaliation or vengeance can be conveniently justified with a reference to the Old Testament: [1] An eye for an eye, and a tooth for a tooth, known as the principle of lex talionis ("the law of retribution"), is an ancient statement of the principle of retributive punishment dating back to the Code of Hammurabi.
"Follow On", also known in certain cases as "Down In The Valley With My Saviour I Would Go" [1] and "I Will Follow Jesus", is a Christian hymn written in 1878 by William Orcutt Cushing. [2] The music for it was composed in 1880 by both Robert Lowry and W. Howard Doane .
The Vingt Regards sur l'Enfant-Jésus ("Twenty Contemplations on the Infant Jesus") are a suite of 20 pieces for solo piano by the French composer Olivier Messiaen (1908–1992). The suite is a meditation on the infancy of Jesus .
The Infancy Gospel of Thomas is an apocryphal gospel about the childhood of Jesus.The scholarly consensus dates it to the mid-to-late second century, with the oldest extant fragmentary manuscript dating to the fourth or fifth century, and the earliest complete manuscript being the Codex Sabaiticus from the 11th century.
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The Christ Child—also known as Baby Jesus, Infant Jesus, Child Jesus, Divine Child, Divine Infant and the Holy Child—refers to Jesus Christ during his early years. The term refers to a period of Jesus' life , described in the canonical Gospels , encompassing his nativity in Bethlehem , the visit of the Magi , and his presentation at the ...
"The Rocking Carol", [1] also known as "Little Jesus, Sweetly Sleep" [2] and "Rocking", [3] is an English Christmas carol by Percy Dearmer. It was translated from Czech (" Hajej, nynej, Ježíšku ") [ 4 ] in 1928 and is performed as a lullaby to the baby Jesus .
The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.
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