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The Wadlow portrait Believed to be a portrait of William Shakespeare painted in 1595. [20] It was bought in the late 1960s by Peter Wadlow from a firm of picture restorers and art dealers called Pryse Hughes. [21] Peter Wadlow was told that it was painted in 1595. The painting has the number 31 at the top left. William Shakespeare was 31 in ...
Paintings based on Hamlet (5 P) Pages in category "Paintings based on works by William Shakespeare" The following 18 pages are in this category, out of 18 total.
The Chandos portrait is an oil painted portrait thought to depict William Shakespeare (1564–1616). Painted between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare [citation needed] used in the First Folio in 1623. [1]
The Infant The Schoolboy The Lover The Seven Ages of Man is a series of paintings by Robert Smirke, derived from the famous monologue beginning all the world's a stage from William Shakespeare's As You Like It, spoken by the melancholy Jaques in Act II Scene VII. The stages referred are: infant, schoolboy, lover, soldier, justice, pantaloon and old age. The set of paintings are in pen and ink ...
The Cobbe portrait. The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare.It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765).
The Plays of William Shakespeare, a painting containing scenes and characters from several plays of Shakespeare; by Sir John Gilbert, c. 1849 Shakespeare's works include the 36 plays printed in the First Folio of 1623, listed according to their folio classification as comedies , histories , and tragedies . [ 157 ]
Joshua Reynolds' Puck (1789), painted for Boydell's Shakespeare Gallery, is modelled after Parmigianino's Madonna with St. Zachary, the Magdalen, and St. John [1]. The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting.
Scene from A Midsummer Night's Dream. Titania and Bottom is an 1851 oil-on-canvas painting by British artist Edwin Landseer. Landseer was mainly known for his paintings of animals: this is his only painting of a fairy scene. The painting depicts a scene from the third act of William Shakespeare's play A Midsummer Night's Dream.
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