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In heraldry, the cross is also called the Santiago cross or the cruz espada (English: sword cross). [1] It is a charge, or symbol, in the form of a cross.The design combines a cross fitchy or fitchée, one whose lower limb comes to a point, with either a cross fleury, [2] the arms of which end in fleurs-de-lis, or a cross moline where the ends of the arms are forked and rounded.
The original cross, kept at the Beaney House of Art and Knowledge in Canterbury, is a bronze cruciform brooch, with triangular panels of silver, incised with a triquetra and inlaid with niello. [3] This cross features a small square in the centre, from which extend four arms, wider on the outside, so that the arms look like triangles ...
A flowered cross in a parish church (2006) Flowering the cross is a Western Christian tradition practiced at the arrival of Easter, in which worshippers place flowers on the bare wooden cross that was used in the Good Friday liturgy, in order to symbolize "the new life that emerges from Jesus’s death on Good Friday".
An Armenian cross is a symbol that combines a cross with a floral postament or elements. The cross of Armenian Christianity is combined with the Christian cross , and this design was often used for high crosses ( khachkar ) – a free-standing cross made of stone and often richly decorated.
A cross fleury. A cross fleury (or flory) is a cross adorned at the ends with flowers in heraldry. [1] It generally contains the fleur-de-lis, trefoils, etc. Synonyms or minor variants include fleuretty, fleuronny, floriated and flourished. [2] In early armory, it is not consistently distinguished from the cross patonce. [3]
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A red Cross of Saint James with flourished arms, surmounted with an escallop, was the emblem of the twelfth-century Galician and Castillian military Order of Santiago, named after Saint James the Greater. Saint Julian Cross: A Cross Crosslet tilted at 45 degrees with the tops pointing to the 'four corners of the world'.
The Carolingian Cross is but one variation in the vast historical imagery of Christian symbolic representations of the Crucifixion of Jesus, going back to at least the ninth century. [1] All crosses and Christian symbols have an inherent meaning arising from a multitude of sources and distinct features that set them apart from other religions. [2]