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FMOD Studio low-level API - A programmer API that stands alone, with a simple interface for playing sound files, adding special effects and performing 3D sound. Legacy products include: FMOD Ex - The sound playback and mixing engine. FMOD Designer 2010 - An audio designer tool used for authoring complex sound events and music for playback.
SRS. Sound Retrieval System (SRS) is a patented psychoacoustic 3D audio processing technology originally invented by Arnold Klayman in the early 1980s. [citation needed] The SRS technology applies head-related transfer functions (HRTFs) to create an immersive 3D soundfield using only two speakers, widening the "sweet spot", creating a more spacious sense of ambience, and producing strong ...
A talk box (also spelled talkbox and talk-box) is an effects unit that allows musicians to modify the sound of a musical instrument by shaping the frequency content of the sound and to apply speech sounds (in the same way as singing) onto the sounds of the instrument. Typically, a talk box directs sound from the instrument into the musician's ...
Former CEO John Riccitiello said in an interview that he believes this to be a side-effect of Unity's success in democratizing game development: "If I had my way, I'd like to see 50 million people using Unity – although I don't think we're going to get there any time soon. I'd like to see high school and college kids using it, people outside ...
1914: Britain began producing sound effect devices that people could buy to play different sound effects for films at home. [3] Blackmail (1929): Uses a woman's voice separate from the main actress on screen for screaming scenes. [2] M (1931): Uses several street sounds such as car horns and the sounds of a ball to increase tension within the ...
Watch How the People Dancing: Unity Sounds from the London Dancehall 1986–1989 is a compilation album released on 28 January 2003 through Honest Jon's record label. The album features dancehall singles released through British Unity Sounds record label in 1980s and documents the genre's transition into modern digital dancehall, focusing on the British scene.
These collections of prerecorded sound effects, both real and artificial, began to be referred to as stock sound effects and were organized into libraries. As their usage increased, stock sound effects libraries became the valuable assets of sound design artists and production companies. Some stock sound effects have been reused so many times ...
The second side contained 10 sound effects meant for others to create their own stories. Despite the title, not all the cuts were related to haunted houses or witches or ghostly spirits. Featured were such situations as an ocean liner hitting rocks, an idiotic lumberjack , a man crossing an unsafe bridge, someone lighting a stick of dynamite ...