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Ficus racemosa fruit. In Buddhism, udumbara (Pali, Sanskrit; lit. ' auspicious flower from heaven ') refers to the tree, flower and fruit of the Ficus racemosa (syn. Ficus glomerata). [1] [2] [3] In Buddhist literature, this tree or its fruit may carry the connotation of rarity and parasitism. It is also mentioned in Vedic texts as the source ...
These four fruits or states are Sotāpanna (stream-enterer), Sakadāgāmi (once-returner), Anāgāmi (non-returner), and Arahant (conqueror, "worthy one"). The early Buddhist texts portray the Buddha as referring to people who are at one of these four states as "noble ones" ( ārya , Pāli: ariya ) and the community of such persons as the noble ...
Ziziphus budhensis has an edible fruit and the tree is also used as cattle fodder. The seeds are used as beads to make malas (rosaries), known as Bodhichitta malas, [2] Buddha chitta mala, or Bodhi seed malas, used in Tibetan Buddhist worship. These are highly valued with a mala of 108 beads costing up to 80 thousand Nepalese Rupees.
The Buddha enters the chamber and begins meditating, the nāga then appears and angrily creates smoke. The Buddha responds by entering into a "fire-element" meditation and using his psychic powers to create his own smoke. [25] [26] The nāga then fills the chamber with fire, which the Buddha responds to by bursting into flames and becoming fire ...
Mahakala statue, holding a flaying knife (kartika) and skullcup (kapala). In Buddhism, wrathful deities or fierce deities are the fierce, wrathful or forceful (Tibetan: trowo, Sanskrit: krodha) forms (or "aspects", "manifestations") of enlightened Buddhas, Bodhisattvas or Devas (divine beings); normally the same figure has other, peaceful, aspects as well.
An image of the Primordial Buddha Samantabhadra with his consort Samantabhadri. These images are said to symbolize the union of space (emptiness, the female aspect) and clarity - awareness (male). [1] In Dzogchen, the ground or base (Tibetan: གཞི, Wylie: gzhi) is the primordial state of any sentient being.
The asura realm is one of the realms one can be reborn into within the six realms. Rebirth here is a result of experiencing the fruits of wholesome karma while engaging in unwholesome karma. The placement of the asura realm in Buddhist cosmology varies among traditions. Sometimes the asura realm is recognized as one of happiness, existing ...
Buddha in parinirvana, Gandhara art, 2nd or 3rd century Buddha entering nirvana, Bắc Ninh province, Vietnam, 17th century AD. A reclining Buddha is an image that represents Buddha lying down and is a major iconographic theme in Buddhist art. It represents the historical Buddha during his last illness, about to enter the parinirvana. [1]