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Ludendorff, Erich (1971) [1920]. Ludendorff's Own Story: August 1914 – November 1918; the Great War from the siege of Liège to the signing of the armistice as viewed from the grand headquarters of the German Army. Freeport, NY: Books for Libraries Press. ISBN 0-8369-5956-6. Ludendorff, Erich. The Coming War. Faber and Faber, 1931.
Pages in category "Cultural depictions of Erich Ludendorff" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes .
This image was provided to Wikimedia Commons by the German Federal Archive (Deutsches Bundesarchiv) as part of a cooperation project.The German Federal Archive guarantees an authentic representation only using the originals (negative and/or positive), resp. the digitalization of the originals as provided by the Digital Image Archive.
Ludendorff in 1918. During Germany's early Weimar period, Ludendorff had joined the chauvinist Aufbau Vereinigung and met with Adolf Hitler through the agency of Max Erwin von Scheubner-Richter. [1] He participated in Hitler's failed Beer Hall Putsch on 9 November 1923, after which their relationship increasingly deteriorated.
[citation needed] The indigenous art of Australia often looks like abstract modern art, but it has deep roots in local culture. The art of Oceania is the last great tradition of art to be appreciated by the world at large. Despite being one of the longest continuous traditions of art in the world, dating back at least fifty millennia, it ...
Paul von Hindenburg and Erich Ludendorff, pictured here in January 1917, attend the conference. Reich Chancellor Theobald von Bethmann Hollweg did not physically attend the conference, [ 7 ] but it was opened and closed on his behalf by Arthur Zimmermann, State Secretary for Foreign Affairs , and his principal collaborators.
Ludendorff, who saw the British Expeditionary Force as the main threat [citation needed], believed that this, in turn, would cause the Allies to move forces from Flanders to help defend the French capital, allowing the Germans to continue their planned Flanders offensive (Hagen) with greater ease. Thus, the Aisne drive was essentially a large ...
In 1915, he organized the Army and Marine exhibition, composed of heroic war and battle scenes. It was shown at the Berlin Academy and at the Königsberger Art Association the following year. He contributed portraits of Generals Erich Ludendorff and Paul von Hindenburg. For the remainder of the war, he was an official war artist. [2]