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The lament complements Job's initial cry (verses 1–10) with a series of rhetorical questions: posing an argument that because he was born (verse 10), the earliest chance he had of escaping this life of misery would have been to be still born (verses 11–12, 16), whereas in verses 13–19 Job regards death as 'falling into a peaceful sleep in ...
Image from "Jeremiah's Lament" of Francysk Skaryna (1517–1519), in the Taraškievica orthography of the Belarussian language Greek translation of Lamentations 1:1–1:11 in the Codex Sinaiticus The Book of Lamentations ( Hebrew : אֵיכָה , ʾĒḵā , from its incipit meaning "how") is a collection of poetic laments for the destruction ...
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret , or mourning . Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing ...
Children's Letters to God was a Drama Desk Award nominated Off-Broadway musical that was based on the best selling book by Stoo Hample, music by David Evans, and lyrics by Douglas J. Cohen. [ 1 ] Summary
the Hebrew letters ALEPH, BETH, GIMEL, DALETH, and HE, that headed each verse in the Vulgate; and, the concluding refrain Ierusalem, Ierusalem, convertere ad Dominum Deum tuum ("Jerusalem, Jerusalem, return unto the Lord thy God"). Tallis's inclusion of the refrain emphasises the sombre and melancholy effect of the music.
According to Galit Hasan-Rokem, Lamentations Rabbah was composed in Roman Palestine "approximately in the middle of the first millennium C.E.". [2]: xi Leopold Zunz concluded that "the last sections were added later" and, furthermore, "that the completion of the whole work must not be placed before the second half of the seventh century," because the empire of the Arabians is referred to even ...
The letter must have been written on February 22, 1454, although the exact year is not specified in the text. [3] The musical score and the texts of the French Chanson and the Latin Cantus Firmus are found in two contemporary manuscript sources: Codex 2794 (fols. 34v-36r) of the Biblioteca Riccardiana in Florence , and MS 871N (fols. 150v-151r ...
Horace offers a less-than-serious lament in Odes 3.10 and even threatens the door in 3.26; Tibullus (1.2) appeals to the door itself; in Propertius (1.16), the door is the sole speaker. In Ovid 's Amores (1.6), the speaker claims he would gladly trade places with the doorkeeper, a slave who is shackled to his post, as he begs the door-keeper to ...