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1 Acoustic Grand Piano or Piano 1; 2 Bright Acoustic Piano or Piano 2; 3 Electric Grand Piano or Piano 3 (usually modeled after Yamaha CP-70) 4 Honky-tonk Piano; 5 Electric Piano 1 (usually a Rhodes or Wurlitzer piano) 6 Electric Piano 2 (usually an FM piano patch, often chorused) 7 Harpsichord (often with a fixed velocity level) 8 Clavinet
The curved 4-1/3 octave Marimba Lumina "Gold" was first introduced in 1999 and played by Buchla “associate” Joel Davel at the Bell-Atlantic Jazz Festival in New York City. Later versions introduced in 2000 and 2001 were produced in collaboration with Nearfield Multimedia and include a 3.5 and 2.5 octave range.
Bass range (varies, but examples range from G 1 –G 3 or C 2 –F 3) The range of the marimba has been gradually expanding, with companies like Marimba One adding notes up to F above the normal high C (C 7) on their 5.5 octave instrument and marimba tuners adding notes lower than the low C on the 5 octave C 2. Adding lower notes is somewhat ...
In broadcast engineering, a frequency extender is an electronic device that expands the usable frequency range of POTS telephone lines. [1] It also allows high-fidelity analog audio to be sent over regular telephone lines, without the loss of lower audio frequencies . It is an extended concept of a telephone hybrid.
An older range extender will not be able to repeat the signal of a newer generation router. Security encryption compatibility also matters and must be at the same level of compatibility for the signal to be extended. For example, an older range extender that supports WEP and WPA will not be able to boost a WPA2-encrypted signal from a router.
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For the F 3 bar that usually forms the lowest note on a vibraphone, there would be F 3 as the fundamental, F 5 as the first overtone, and A 6 as the second overtone. As a side effect, the arch causes the nodal points of the fundamental vibration to shift closer towards the ends of the bar. [25]
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.