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John Dodd (1752 in London – 1839 in Richmond, Surrey) was a British bowmaker.He was considered to be the greatest English bowmaker before and until James Tubbs. [1]He was a gunlock fitter and then a money scale maker before turning to bow making.
"Louis Morizot trained many pupils including Bernard Millant and his five sons Marcel, Louis, Paul, André, and George Morizot.." Among the six sons son's of Louis Père, the well-known Mirecourt bow maker, René (the youngest), is the only one to have dedicated his life to violin making."
A bow maker/archetier is a person who builds, repairs or restores ancient or modern bows for bowed string instruments Pages in category "Bow makers" The following 74 pages are in this category, out of 74 total.
Gustave BAZIN (1871 - 1920) second son of Charles-Nicolas Bazin II, was the first violin maker in the family. His students included Amèdée Dieudonne, Marcel Vatelot and Charles Enel. René BAZIN (1906 - 1982) son and pupil of Charles-Louis (for bow making), pupil of Dieudonné (for instrument making). He was more attracted by violin making.
Lucchi was active within the community of luthiers and bow makers, holding various posts among professional societies and writing and speaking often in journals and conferences relating to the art. A Giovanni Lucchi violin bow (ebony and silver mounted) was recently sold at auction for €12,100 on Catawiki .
Bernard Millant inspecting a bow at the Le Canu Millant shop in Paris, France. Bernard Millant (1929 – 5 April 2017) was a bow maker, archetier and luthier in Paris, France. He was the son of Max Millant. He studied violin-making at Amédée Dieudonné's workshop in Mirecourt. He also studied bow-making with Louis Morizot alongside the ...
Joseph Alfred Lamy (père) (8 September 1850 – 1919), was an important French archetier (bow maker) of the early twentieth century known as Lamy Père. He was born in Mirecourt, Vosges, France, where he apprenticed from 1862 to 1868, and later worked from 1877 to 1885 for François Nicolas Voirin in Paris.
Albert Leeson worked for the firm W.E. Hill & Sons, starting as an apprentice in 1920 and quickly learning to making the finest fleur-de-lys bows (mounted in silver, gold, or tortoiseshell). He was one of William C Retford 's favorite pupils, and was quickly put to work on the finest bows, eventually being allowed to work totally unsupervised ...
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