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The octave illusion is an auditory illusion discovered by Diana Deutsch in 1973. It is produced when two tones that are an octave apart are repeatedly played in alternation ("high-low-high-low") through stereo headphones. The same sequence is played to both ears simultaneously; however when the right ear receives the high tone, the left ear ...
Octave effect boxes are a type of special effects unit which mix the input signal with a synthesized signal whose musical tone is an octave lower or higher than the original. The synthesised octave signal is derived from the original input signal by halving (octave-down) or doubling (octave-up) the frequency.
For example, one listener would hear the tone pair C–F ♯ as ascending and the tone pair G–C ♯ as descending. Yet another listener would hear the tone pair C–F ♯ as descending and the tone pair G–C ♯ as ascending. Furthermore, the way these tone pairs were perceived varied depending on the listener's language or dialect.
Auditory illusions are illusions of real sound or outside stimulus. [1] These false perceptions are the equivalent of an optical illusion: the listener hears either sounds which are not present in the stimulus, or sounds that should not be possible given the circumstance on how they were created.
The result is a pitch at a common subharmonic of the pitches played (one octave below the first pitch when the second is the fifth, 3:2, two octaves below when the second is the major third, 5:4). This effect is useful especially in the lowest ranks of the pipe organ where cost or space could prohibit having a rank of such low pitch.
In music, an octave (Latin: octavus: eighth) or perfect octave (sometimes called the diapason) [2] is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical ...
In stretched tuning, two notes an octave apart, whose fundamental frequencies theoretically have an exact 2:1 ratio, are tuned slightly farther apart (a stretched octave). If the frequency ratios of octaves are greater than a factor of 2, the tuning is stretched; if smaller than a factor of 2, it is compressed." [3]
Audio example of double tracking with 3 guitar parts with drums and bass. Double tracking or doubling is an audio recording technique in which a performer sings or plays along with their own prerecorded performance, usually to produce a stronger or bigger sound than can be obtained with a single voice or instrument.