Search results
Results from the WOW.Com Content Network
This is a list of films produced and co-produced in Quebec, Canada ordered by year of release. Although the majority of Quebec films are produced in French due to Quebec's predominantly francophone population, a number of English language films are also produced in the province.
The Scapegoat (2013 film) The Secret of Kells; Sibyl (2019 film) Simone Veil, A Woman of the Century; The Sisters Brothers (film) The Sitting Duck; The Sixth Child; Small Country: An African Childhood; Sons of Ramses; Sorry We Missed You; The Speech (film) Swimming Pool (2003 film)
Fantastique is a French term for a literary and cinematic genre and mode that is characterized by the intrusion of supernatural elements into the realistic framework of a story, accompanied by uncertainty about their existence.
[2] Americano: Mathieu Demy: Mathieu Demy, Salma Hayek, Geraldine Chaplin: Drama [3] The Artist: Michel Hazanavicius: Jean Dujardin, Bérénice Bejo: Comedy drama [4] Beloved: Christophe Honoré: Catherine Deneuve, Miloš Forman, Ludivine Sagnier: Comedy drama [5] Black Gold: Jean-Jacques Annaud: Tahar Rahim, Mark Strong, Antonio Banderas ...
France Film and other companies started creating French film productions in the 1930s. Maria Chapdelaine is commonly, although incorrectly, regarded as the first French-Canadian sound movie. [ 23 ] Étienne Brûlé gibier de potence was the first colour feature film made in Quebec and the first Canadian colour film shot in English and French.
Le Chaudron infernal, released in Britain as The Infernal Cauldron and in the United States as The Infernal Caldron and the Phantasmal Vapors, is a 1903 French silent trick film directed by Georges Méliès. It was released by Méliès's Star Film Company and is numbered 499–500 in its catalogues. [2]
Cinemas in France (2 C, 6 P) F. Film festivals in France (7 C, 33 P) French filmographies (30 P) French films (29 C) Films based on works by French writers (89 C, 1 P)
Dennis Harvey wrote in Variety that the film was "a worthy return to the strengths and ambitions of Thirty Two Short Films About Glenn Gould and The Red Violin". [23] The Hollywood Reporter ' s John DeFore called the screenplay episodic and found hints the film suggests a vision of "all the region's inhabitants as a single human population". [24]