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On March 5, 2022, Katy Nichole released the official music video for "In Jesus Name (God of Possible)" on YouTube. [24] [25] The music video was directed by Nathan Schneider and produced by Joshua Wurzelbacher and Alicia St. Gelais. [24] On March 10, 2022, Essential Worship released an acoustic performance video of "In Jesus Name (God Of ...
"The fact that that album came out, like, a year and a half after Dookie was us trying to cut off the bullshit in its tracks and just keep making music. That’s all we wanted to do, keep making music. Sometimes I feel that Insomniac is the most honest record I ever made at the particular moment that it was written and recorded."
"Blackout" is a song by Australian pop singer Bonnie Anderson and was released in June 2014. The song is about acting on your strongest desires and came out of a collaboration between Anderson and RedOne during a recent writing trip to Los Angeles . [ 1 ]
The group on this record consists of the core duo of brothers William and Jim Reid, with a drum machine providing percussion and synthesised bass. The only other credited musician was Richard Thomas, who joined the touring version of the Jesus and Mary Chain as a drummer. Thomas drummed on "Gimme Hell" and was a former member of Dif Juz.
[136] [137] The group was also featured in the "YouTube Rewind 2014" video as one of the most subscribed YouTube music channels. [138] Pentatonix appeared on the Disney Channel show, K.C. Undercover on June 14, 2015. On The Muppets, they were guest stars in the episode "Pigs in a Blackout", which aired on November 10, 2015.
“The higher your blood alcohol, the more likely you are to have a blackout,” says Lembke. “And the faster you consume the alcohol, the more likely you are to have a blackout.”
The music video for "Jesus Christ Pose" was directed by Eric Zimmerman, who would later direct the music video for "Rusty Cage". [15] The video's intro adapts John 3:16; "And God So Loved Soundgarden He Gave Them His Only Song". The video features the band members wandering around a desert interspersed with various images of crosses, cyborgs, a ...
The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]