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CLever Audio Plug-in or CLAP is an open source software architecture, application programming interface and reference implementation suite for audio effect plugins as used in multimedia software such as digital audio workstations, audio editing software, and video editing software with integrated audio workflows.
LV2 (LADSPA Version 2) is a set of royalty-free open standards [2] for music production plug-ins and matching host applications. It includes support for the synthesis and processing of digital audio and CV, [3] events such as MIDI and OSC, and provides a free alternative to audio plug-in standards such as Virtual Studio Technology (VST) and Audio Units (AU).
Loudness compensation, or simply loudness, is a setting found on some hi-fi equipment that increases the level of the high and low frequencies. [1] This is intended to be used while listening at low-volume levels, to compensate for the fact that as the loudness of audio decreases, the ear's lower sensitivity to extreme high and low frequencies ...
First introduced in 2000, they are small boards of electronic circuitry with 64MB ROMs containing patches and rhythm sets . They are used to expand certain models of Roland synthesizers , music workstations , keyboards , and sound modules .
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]
The SuperNova II (2000) was available in 24, 36 and 48-voice models with additional 12 or 24-voice expansion boards. Available again in a 3U rack-mount format, the SuperNova II was also available in a 61-note performance keyboard version with velocity and aftertouch , enabling sound tweaking during live performance.