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In India, wooden damaru are part of Hindu ceremonies. Ìgbìn is a simple cylinder drum made from a section of trunk of the Yoruba tree in Nigeria, the skin of which is stretched with wooden pegs. The sacred drum used in the Orisha cult stands on three feet, roughly carved out at the bottom. The three different sizes of the ìgbìn are struck ...
The dhyāngro is a frame drum played by the jhakri (shamans) of Nepal and India—especially those of the Magars, the Kirati, and the Tamang—as well as by Tibetan Buddhist musicians. The dhyāngro may be either single- or double-headed. Double-headed drums are said to have a male side and a female side. [1]
The mridangam is a double-sided drum whose body is usually made using a hollowed piece of jackfruit wood about an inch thick. The two mouths or apertures of the drum are covered with a goat, cow or buffalo skin and laced to each other with leather straps along the length of the drum.
The chöpen is attached to the end of the drum's handle so that it waves about while the drum is being played. They are most commonly made of brocade or silk using the colors of the tantric elements. On smaller damaru, the chöpen is usually found without adornment, but on chöd damaru, the tail will often feature several items which have been ...
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The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music . It is also known as a mridanga (< Sanskrit mṛd + aṅga, lit. ' clay limb '), not to be confused with mridangam. It originates from the Indian states of Odisha, West Bengal, Assam and Manipur. The drum is played with palms and ...
Urumi melam ensembles usually consists of double-reed instruments Nadaswaram, a pair of double headed drums called pambai, and one to three urumi drums; this particular ensemble is associated exclusively with funerals and other inauspicious occasions. The naiyandi melam is the most common type of folk ensemble associated with ritual and dance.
Similar to the talking drum, The Idakka consists of two circular drum heads each of which is mounted within a circular ring. The hourglass-shaped body is placed between the two heads and lacing is used to pull the two rings towards each other, stretching each drum head over an open end of the body.