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Folklore of Indonesia is known in Indonesian as dongeng (lit. ' tale '), cerita rakyat (lit. ' people's story ') or folklor (lit. ' folklore '), refer to any folklore found in Indonesia. Its origins are probably an oral culture, with a range of stories of heroes associated with wayang and other forms of theatre, transmitted outside of a written ...
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ...
Meanwhile, not all publications in the languages of Indonesia appeared under the Balai Pustaka imprint. As mentioned, this publisher was a government-supervised concern, and it operated in the context of political and linguistic developments.
Sang Kancil replied: "I will let you all eat me after bringing me to the island.” Believing what he said, the crocodiles followed his order and formed a row of between the two sides of the river. He then quickly hops from one crocodile to another until he reaches the other side of the river, leaving the reptiles far behind, angry.
Keep at the End of the World – from East of the Sun and West of the Moon, this was the setting for The Last Castle, where the last Fable refugees escaped from to the Mundy world. [ 11 ] The Black Forest – located in the Hesse and former home to Bigby Wolf , Frau Totenkinder and a whole array of malign spirits, ogres and bogeymen.
Emulating the fables of the ancient Greek Aesop, the Macedonian-Roman Phaedrus, the Polish Biernat of Lublin, and the Frenchman Jean de La Fontaine, and anticipating Russia's Ivan Krylov, Poland's Krasicki populates his fables with anthropomorphized animals, plants, inanimate objects, and forces of nature, in epigrammatic expressions of a skeptical, ironic view of the world.
Similar animal fables are found in most cultures of the world, although some folklorists view India as the prime source. [55] [56] The Panchatantra has been a source of the world's fable literature. [57] The French fabulist Jean de La Fontaine acknowledged his indebtedness to the work in the introduction to his Second Fables:
Articles relating to fables, succinct fictional stories, in prose or verse, that feature animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrate or lead to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim.