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Pages in category "Paintings in the Palazzo Pubblico" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. A.
The Palazzo Pubblico (town hall) is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena 's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions (and judicial ones in secular matters). [ 1 ]
These frescoes eventually filled two walls of the meeting room in the Palazzo Pubblico. Between 1314 and 1331 at least seven castles were painted. Documents show that Simone Martini painted at least four of them: Montemassi and Sasso Forte in 1330, and Arcidosso and Castel Del Piano in 1331. [ 2 ]
Rubinstein, Nicolai (1958). "Political Ideas in Siense Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico". Journal of the Warburg and Courtauld Institutes. 21 (3/4): 179– 207. doi:10.2307/751396. JSTOR 751396. S2CID 195009384. Skinner, Quentin (1989). "Ambrogio Lorenzetti: The Artist as Political Philosopher".
2.16 Philippines. 2.17 Singapore. 2.18 South Korea. ... Pinacoteca Nazionale, Museo Civico inside Palazzo Pubblico; ... Harvard Art Museums, List Visual Arts Center, ...
Some art historians have seen the influence of Masaccio in a set of panels from a predella, now divided between the Brooklyn Museum and the Lindenau Museum. In 1446, he painted the Crucifixion mural at the Siena City hall ( Palazzo Pubblico ) and two years later, completed another depiction of Saint Bernardino in Lucignano .
It takes up the whole north wall of the Sala del Mappamondo (or Sala del Consiglio) in the Palazzo Pubblico in Siena. It was created from 1312 to 1315 and is considered one of the artist's masterpieces and one of the most important examples of 14th-century Italian art. [1]
The gallery has one of the largest collections of Sienese paintings with gold backgrounds from the 14th and 15th centuries. [2] Works in the gallery include: Duccio di Buoninsegna's Polyptych N. 28 and Madonna of the Franciscans; Guido da Siena's St. Peter Enthroned; Simone Martini's Blessed Agostino Novello and His Miracles (c. 1330)