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Mark Twain popularized the saying in Chapters from My Autobiography, published in the North American Review in 1907. "Figures often beguile me," Twain wrote, "particularly when I have the arranging of them myself; in which case the remark attributed to Disraeli would often apply with justice and force: 'There are three kinds of lies: lies, damned lies, and statistics.'" [4] [1] [2]
[201] The riverboatman's cry was "mark twain" or, more fully, "by the mark twain", meaning "according to the mark [on the line], [the depth is] two [fathoms]"; that is, "The water is 12 feet (3.7 m) deep and it is safe to pass." Twain said that his famous pen name was not entirely his invention. In Life on the Mississippi, Twain wrote:
Media in category "Mark Twain images" This category contains only the following file. J. File:Jumping frog1.jpg
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
It is written in the style of a diary kept by the first woman in the biblical creation story, Eve, and is claimed to be "translated from the original MS."The "plot" of this story is the first-person account of Eve from her creation up to her burial by her mate Adam, including meeting and getting to know him, and exploring the world around her, Eden.
Date/Time Thumbnail Dimensions User Comment; current: 07:29, 27 January 2018: 1,274 × 1,833 (606 KB): Opencooper: crop, grayscale, some sharpening: 07:29, 27 January ...
The following other wikis use this file: Usage on af.wikipedia.org Mark Twain; Usage on als.wikipedia.org Mark Twain; Usage on alt.wikipedia.org Марк Твен
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.