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The review aggregator website Rotten Tomatoes reported that 91% of critics gave the film positive reviews, based upon a sample of 192, and an average rating of 8.10/10. The website's critical consensus states, "Led by a triumvirate of terrific performances, Alfonso Cuarón's free-spirited road trip through Mexico is a sexy and wistful hymn to ...
The Prisoner of Azkaban was a continuation of Cuarón's take on the coming-of-age genre after Y, Tu Mama Tambien. [39] That film is in the form of an American road movie, along with teen movie elements. [40] Voice-over narration adds a documentary feel.
Y tu mamá también: Tenoch Iturbide Diego Luna: Iturbide and Zapata are "two teenage best friends". Mexico [98] Julio Zapata Gael García Bernal: 2002 The Hours: Clarissa Vaughan Meryl Streep: Clarissa is in a long-term relationship with her lesbian partner Sally, which is seemingly threatened when she pines for "a long-lost romance with Richard."
She made her debut in an international work in Y tu mamá también (2001), [5] portraying Luisa Cortés, an exotic madrileña who ends up accepting a trip offer across rural Mexico from a Mexican cousin-in-law and his friend. [6] In 2002, she starred as the title character in comedy peplum Lisístrata, playing an Athenian woman setting up a sex ...
The film holds a 63% approval rating on Rotten Tomatoes, based on 93 reviews with an average rating of 5.7/10. The site's consensus reads " Desierto 's thought-provoking themes and refreshing perspective are unfortunately offset by a predictable plot and thinly written characters."
Dekalog (pronounced [dɛˈkalɔg], also known as Dekalog: The Ten Commandments and The Decalogue) is a 1989 Polish drama television miniseries directed by Krzysztof Kieślowski [1] and co-written by Kieślowski with Krzysztof Piesiewicz, with music by Zbigniew Preisner. [2]
According to the American review aggregation website Rotten Tomatoes, Mamacruz has a 100% approval rating based on 19 reviews from critics, with an average rating of 7.9/10. [ 11 ] Jonathan Holland of ScreenDaily assessed that "the veteran Manver delivers a masterclass in nuance as a quietly-spoken, humble and repressed woman undergoing a ...
The English-language reviews for Respiro were generally positive. Steven Holden wrote in The New York Times that "not since Y Tu Mamá También has a movie so palpably captured the down-to-earth, flesh-and-blood reality of high-spirited people living their lives without self-consciousness."