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The usage of Dolores as a given name has its origins in the strong influence of the Roman Catholic Church in Spanish-speaking countries. The name is a reference to Nuestra Señora de los Dolores (or La Virgen María de los Dolores), one of the many titles of Mary, Mother of Jesus, typically translated to Our Lady of Sorrows in English.
Various styles (in current terms, fonts) of representation of the Jewish script letters described in this article also exist, including a variety of cursive Hebrew styles. In the remainder of this article, the term Hebrew alphabet refers to the square script unless otherwise indicated. The Hebrew alphabet has 22 letters. It does not have case ...
There are several prefixes in the Hebrew language which are appended to regular words to introduce a new meaning. In Hebrew, the letters that form those prefixes are called "formative letters" (Hebrew: אוֹתִיּוֹת הַשִּׁמּוּשׁ, Otiyot HaShimush).
Mathers Table from the 1912 edition of The Kabbalah Unveiled.. The Mathers table of Hebrew and "Chaldee" letters is a tabular display of the pronunciation, appearance, numerical values, transliteration, names, and symbolism of the twenty-two letters of the Hebrew alphabet appearing in The Kabbalah Unveiled, [1] S.L. MacGregor Mathers' late 19th century English translation of Kabbala Denudata ...
According to Menachem Cohen, the Dead Sea scrolls showed that "there was indeed a Hebrew text-type on which the Septuagint-translation was based and which differed substantially from the received MT." [13] The scrolls show numerous small variations in orthography, both as against the later Masoretic Text, and between each other. It is also ...
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The complete Zurich Bible from 1531 from the holdings of the Zentralbibliothek Zürich (PDF). Opened: Title page of the first part. The Zurich Bible of 1531, also known as the Froschauer Bible of 1531, is a translation of the Bible from the Hebrew, Aramaic and Greek language into German, which was printed in 1531 in the Dispensaryof Christoph Froschauer in Zurich.
The poem demonstrates most of the controversial themes for which Swinburne became notorious. It conflates the cruel yet libidinous pagan goddess figure of Dolores, the Lady of Pain with Mary, Mother of Jesus and associates the poem itself, through its parenthetical titular text (Notre-Dame des Sept Douleurs, i.e.,