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E major is a major scale based on E, consisting of the pitches E, F ♯, G ♯, A, B, C ♯, and D ♯. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Starting the major scale pattern (whole step, whole, half, whole, whole, whole, half) on C requires no sharps or flats. Proceeding clockwise in the diagram starts the scale a fifth higher, on G. Starting on G requires one sharp, F ♯, to form a major scale. Starting another fifth higher, on D, requires F ♯ and C ♯. This pattern continues ...
In a minor key, the closely related keys are the parallel major, mediant or relative major, the subdominant, the minor dominant, the submediant, and the subtonic.In the key of A minor, when we translate them to keys, we get:
Tchaikovsky's 1812 Overture is a sonata form in E-flat minor framed by an extended introduction and a long coda, both in E-flat major. Janáček's Piano Sonata, 1. X. 1905, arguably his best-known work for the piano, is in E-flat minor. Earlier piano sonatas in the key are the Grand Sonata, Op. 3/1 by George Pinto and the Piano Sonata by Paul ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
E is the third note and the fifth semitone of the C major scale, and mi in fixed-do solfège.It has enharmonic equivalents of F♭ [(F-flat) which is by definition a diatonic semitone above E ♭] and D (D-double sharp), amongst others.
In rare cases, the sharp keys may be extended further, G ♯ → D ♯ → A ♯ → E ♯ → B ♯ → F → C, requiring double sharps in the key signature: F, C, G, D, A, E, B. These are called theoretical key signatures. This principle applies similarly to the flat keys.
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