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David G. Monette (born 1956, Kalamazoo, Michigan) is an American craftsman who designs and builds custom brass instruments and mouthpieces for musicians. [1] [2]Monette's experience as a trumpeter and the influence of acoustician Arthur Benade led Monette to redesign the trumpet mouthpiece with the goal of improving playability and sound quality.
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Another approach that could be used on a two manual harpsichord would be to use a coupler to make one manual play two choirs of strings (e.g., an 8' set of strings and a 16' set of strings an octave lower), so that this manual could be used for a loud solo sound, and then having another manual set to trigger only one manual, creating an ...
Marine trumpet, or Nonnentrompete. A tromba marina, marine trumpet or nuns' fiddle, (Fr. trompette marine; Ger. Marientrompete, Trompetengeige, Nonnengeige or Trumscheit, Pol. tubmaryna) is a triangular bowed string instrument used in medieval and Renaissance Europe that was highly popular in the 15th century in England and survived into the 18th century.
The trumpet part is marked ad libitum, and although occasionally performed by strings alone, most performances include the trumpet. [ 2 ] Numerous recordings have been made of the work, including performances conducted by Charles Munch , Serge Baudo , Ernest Ansermet , Herbert von Karajan , Mariss Jansons and Charles Dutoit .
The double-faceted baroque organ of the Cathedral of Santiago de Compostella.Notice the en chamade pipes (trumpets) protruding outwards from its lower part.. En chamade (French: "to sound a parley") refers to powerfully voiced reed stops in a pipe organ that have been mounted horizontally, rather than vertically, in the front of the organ case, projecting out into the church or concert hall. [1]
Leroy Jones in Denmark 2017. Leroy Jones (born February 20, 1958) is a jazz trumpeter. [1] Born in New Orleans, Louisiana, [1] Jones began playing trumpet at the age of ten, and by the time he was 12 was leading the Fairview Baptist Church Marching Band, a group of young musicians organized by jazz guitarist and banjo player Danny Barker.
Initially intended as a 3-volume series of increasing difficulty, the middle volume titled Clarke's Technical Studies (1912) would gain a following independent of the other volumes, becoming "one of the most widely used trumpet method books" [1] and drawing comparisons to the Arban Method. [2]