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Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra Arvo Pärt : Tabula Rasa for 2 violins, prepared piano and string orchestra Marta Ptaszynska : Concerto Grosso for 2 violins and chamber orchestra (1996.)
AHRC-funded research project containing music files viewable on-site or as downloads. Most of the music consists of chamber music and concertos for string instruments, edited and annotated by such players as Ferdinand David, Friedrich Grützmacher, and Joseph Joachim. University of Leeds Cardiff University: Chopin's First Editions Online
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios , Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [ 3 ]
The violin is a very important part of Indian classical music. It is believed to have been introduced to the Indian tradition by Baluswamy Dikshitar brother of Muthuswami Dikshitar. The violin is primarily used as support for a vocalist, as the sound of a violin complements that of the singer, but is also largely played solo.
Violin Concerto No. 1 in F major, opus 69 (before 1934) Violin Concerto No. 2 in G major, opus 86 (before 1943) Arthur Somervell. Violin Concerto in G minor (1930) Vladimír Sommer. Violin Concerto (1950) Leo Sowerby. Violin Concerto in G major (1913, rev. 1924) Louis Spohr. 15 violin concertos and other works for violin and orchestra; Charles ...
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Caprice No. 5 is one of 24 caprices for solo violin composed by virtuoso violinist Niccolò Paganini in the early 19th century. The piece is known for its fast tempo and technical difficulty. Paganini is said to have been able to play it on one string, but there is no evidence to support or refute this. [1]