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A440 (also known as Stuttgart pitch [1]) is the musical pitch corresponding to an audio frequency of 440 Hz, which serves as a tuning standard for the musical note of A above middle C, or A 4 in scientific pitch notation. It is standardized by the International Organization for Standardization as ISO 16.
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1] [2] Every octave is made of twelve steps called semitones.
The Smith chart (sometimes also called Smith diagram, Mizuhashi chart (水橋チャート), Mizuhashi–Smith chart (水橋スミスチャート), [1] [2] [3] Volpert–Smith chart (Диаграмма Вольперта—Смита) [4] [5] or Mizuhashi–Volpert–Smith chart) is a graphical calculator or nomogram designed for electrical and electronics engineers specializing in radio ...
Aircraft often use 400 Hz power internally, so 50 Hz or 60 Hz to 400 Hz frequency conversion is needed for use in the ground power unit used to power the airplane while it is on the ground. Conversely, internal 400 Hz internal power may be converted to 50 Hz or 60 Hz for convenience power outlets available to passengers during flight.
Not only is 440 Hz the standard central pitch for MIDI, it is also widely used as the "concert A " standard pitch (A 4 e.g. USA, UK), and since that is represented in MIDI signals by the integer 69 (nine semitones above middle C (C 4, c′), which is 60 decimal or 0x3C hexadecimal), this gives a real number which expresses pitch in a manner ...
A440 Play ⓘ. 440 Hz = 4.21 or 4.39. The Bark scale is a psychoacoustical scale proposed by Eberhard Zwicker in 1961. It is named after Heinrich Barkhausen, who proposed the first subjective measurements of loudness. [1] One definition of the term is "a frequency scale on which equal distances correspond with perceptually equal distances.
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Some non-mel auditory-frequency-scale formulas use the same form but with much lower break frequency, not necessarily mapping to 1000 at 1000 Hz; for example the ERB-rate scale of Glasberg and Moore (1990) uses a break point of 228.8 Hz, [15] and the cochlear frequency–place map of Greenwood (1990) uses 165.3 Hz. [16]