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This is an accepted version of this page This is the latest accepted revision, reviewed on 17 February 2025. Art and practice of creating images by recording light For other uses, see Photography (disambiguation). Photography of Sierra Nevada Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically ...
The following is a list of the world's oldest surviving physical documents. Each entry is the most ancient of each language or civilization. For example, the Narmer Palette may be the most ancient from Egypt, but there are many other surviving written documents from Egypt later than the Narmer Palette but still more ancient than the Missal of Silos.
It is an ink on paper print and reproduces a 17th-century Flemish engraving showing a man leading a horse. View from the Window at Le Gras (1826 or 1827), by Nicéphore Niépce, the earliest known surviving photograph of a real-world scene, made with a camera obscura. Original (left) and colorized reoriented enhancement (right).
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
To make the image, a daguerreotypist polished a sheet of silver-plated copper to a mirror finish; treated it with fumes that made its surface light-sensitive; exposed it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; made ...
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e]
The image transfer medium was originally a stencil made from waxed mulberry paper. Later this became an immersion-coated long-fiber paper, with the coating being a plasticized nitrocellulose . This flexible waxed or coated sheet is backed by a sheet of stiff card stock, with the two sheets bound at the top.
The final smooth wipe is usually done by hand, sometimes with the aid of newspaper or old public phone book pages, leaving ink only in the incisions. A damp piece of paper is placed on top and the plate and paper are run through a printing press that, through pressure, transfers the ink from the recesses of the plate to the paper.