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"Berkorban Apa Sahaja" ("Do Anything") - by Jamal Abdillah from the film Tuah "Kau Pergi Demi Pertiwi" - by Jamal Abdillah "Takkan Melayu Hilang di Dunia" - by Sharifah Aini "Malaysia Indah" - by Khatijah Ibrahim "Sejahtera Malaysia" "Malaysia Oh Tanahairku" (Malaysia, Oh Our Land") "Selamat Pergi Pahlawanku" "Bumi Malaysia"
After the death of four students in the 1998 Trisakti shootings, the media used the lyrics gugur satu, tumbuh seribu as a slogan for the reformation movement and to indicate that the students had not died in vain. Today the line gugur satu, tumbuh seribu has entered common usage, with the meaning of "One falls, a thousand arise". [2]
Yang ikhlas berjuang. Siap sedia berkorban, Untuk ibu pertiwi! Sebelum kita berjaya, Jangan harap kami pulang! Inilah sumpah pendekar kita, Menuju medan bakti! Andai kata kami gugur semua, Taburlah bunga di atas pusara. Kami mohon doa, Malaysia berjaya! Semboyan telah berbunyi, Menuju medan bakti!
Interfaith greetings (Indonesian: Salam Lintas Agama), sometimes referred as Bhinneka greetings (Indonesian: Salam Kebhinekaan), [1] are often used to open formal meetings in Indonesia. The phrases combine the greeting phrases of several or all major religions in Indonesia.
Berjaya is a patriotic Malaysian national song.This song was composed by Saiful Bahri Elyas (Saiful Bahri) in a day and performed by Jamaluddin Alias which was given wide air-time play by Radio Televisyen Malaysia (RTM) in the late 1960s and early 1970s.
Sikhs were initially sent to British Malaya as political prisoners. The first few Sikhs to arrive in British Malaya were Nihal Singh (better known as Bhai Maharaj Singh) and Khurruck Singh, who were deported from India due to anti-British involvement in 1849. [7]
"2 Baddies" was produced by Aron Bergerwall, Louise Lindberg, Tony Ferrari, Parker James, Cazzi Opeia and Ellen Berg, while arrangement was helmed by Bergerwall (under the alias of Aron Wyme) and Imlay. "2 Baddies" is composed of strong vocal chants in the chorus, fast rap verses, and vocal-centered pre-choruses and bridge.