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Metanarrative has a specific definition in narratology and communications theory. According to John Stephens and Robyn McCallum, a metanarrative "is a global or totalizing cultural narrative schema which orders and explains knowledge and experience " [ 19 ] – a story about a story, encompassing and explaining other "little stories" within ...
Undertale has many examples of metafiction, with the largest overall example being how the game uses one of its characters, "Flowey the Flower", to predict how the player will view and interact with the game. Flowey was given the ability to "save/load" the game, like how a player is able to save/load a game file in most video games.
When the model becomes accurate, it is just as difficult to understand as the real-world processes it represents. Buttered cat paradox: Humorous example of a paradox from contradicting proverbs. Intentionally blank page: Many documents contain pages on which the text "This page intentionally left blank" is printed, thereby making the page not ...
A metanarrative is a grand overarching account or worldview, which is thought to give order to the historical record. Subcategories This category has the following 3 subcategories, out of 3 total.
Examples of metamodernism in the arts and culture [ edit ] Vermeulen and van den Akker state that the architecture of Herzog & de Meuron is expressive of "attempts to negotiate between such opposite poles as culture and nature, the finite and the infinite, the commonplace and the ethereal, a formal structure, and a formalist unstructuring."
Postmodern Metanarratives investigates the connection between literature and cinema through a thorough study of Ridley Scott's cyberpunk filmic narrative Blade Runner.The book establishes a link between the literary tradition and the (post)modern in a collage of several texts that directly or indirectly are referenced in the film.
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The Postmodern Condition: A Report on Knowledge (French: La condition postmoderne: rapport sur le savoir) is a 1979 book by the philosopher Jean-François Lyotard, in which the author analyzes the notion of knowledge in postmodern society as the end of 'grand narratives' or metanarratives, which he considers a quintessential feature of modernity.