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The organ accompaniment rests on a pattern of chords held often for a full measure in the left hand, and broken chords in eighth-notes in the right hand. The choir voices enter together, with the lower voices also moving slowly like the left hand (a full measure for "Deep", another one for "peace"), while the soprano pronounces "peace" sooner ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
Into one perfect peace, And trembled away into silence As if it were loth to cease. I have sought, but I seek it vainly, That one lost chord divine, Which came from the soul of the organ, And entered into mine. It may be that death's bright angel Will speak in that chord again, It may be that only in Heav'n I shall hear that grand Amen. [15]
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Give to us peace in our time, O Lord. God the All-merciful! Earth hath forsaken Thy way of blessedness, slighted Thy word, Bid not Thy wrath in its terrors awaken; Give to us peace in our time, O Lord. God the All-righteous One! Man hath defied Thee; Yet to eternity standeth Thy word; Falsehood and wrong shall not tarry beside Thee;
Of the seven notes in the major scale, a seventh chord uses only four (the root, third, fifth, and seventh). The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a seventh implies that there is a fifth and a third and a root.
The theme of God's "death" became more explicit in the theosophism [clarification needed] of the 18th- and 19th-century mystic William Blake.In his intricately engraved illuminated books, Blake sought to throw off the dogmatism of his contemporary Christianity and, guided by a lifetime of vivid visions, examine the dark, destructive, and apocalyptic undercurrent of theology.
The settings of most of her works are in northern California, where she grew up; she is perhaps best known for her semi-autobiographical novel Rumors of Peace (1979; reprinted as a "rediscovered classic" in 2011) about a girl coming of age during World War II.