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Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door. A typical panel would be cut to allow 1/4" (5 mm) between itself and the bottom of the groove in the frame.
The panels were not confined to just the walls of a room but were used to decorate doors, frames, cupboards, and shelves also. It was standard for mirrors to be installed and framed by the carved boiseries, especially above the mantelpiece of a fireplace. Paintings were also installed within boiseries, above doorways or set into central panels. [7]
Some primers can be tinted to match more closely with the color of the finishing paint. If the finishing paint is a deep color, tinting the primer can reduce the number of layers of finishing paint that are necessary for good uniformity across the painted surface. Primers are also used to hide joints and seams to give a finished look.
The deceased is shown above the central niche in front of a table of offerings, and inscriptions listing offerings for the deceased are carved along the side panels. Louvre Museum. A false door, or recessed niche, [1] is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it.
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
In Japanese architecture, fusuma are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. [1] They typically measure about 90 cm (2 ft 11 in) wide by 180 cm (5 ft 11 in) tall, the same size as a tatami mat, and are 2–3 cm (0.79–1.18 in) thick.
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