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Landscape with Gipsies is similarly structured to Gainsborough's "Cottage Door" series of paintings, and is a similar family group portrait. [17] Although lacking the series' eponymous cottage, the landscape in the background effectively serves as the gypsy family's house and garden. [18]
Hilly landscape with peasant family at a Cottage Door, Children playing and Woodcutter returning The Woodcutters Return. Thomas Gainsborough was the first British artist to employ cottages as a major subject, [1] [2] in what has become known as his "Cottage Door" paintings, painted during the final decades of his life; and was in the vanguard of a late 18th century fad of interest in them.
Design of door furniture is an issue to disabled persons who might have difficulty opening or using some kinds of door, and to specialists in interior design as well as those usability professionals which often take their didactic examples from door furniture design and use. [1] Items of door furniture fall into several categories, described below.
She also wrote a published work, Instructions for Playing on the Musical Glasses. [5] The instrument was comparable to the glass harp of Richard Pockrich consisting of individual glass goblets tuned with water, and preceded the 1761 mechanized armonica (glass harmonica) invention of Benjamin Franklin and played by Marianne Davies .
The Gainsborough Studios' name and design indicated its artistic connotations. The facade contains a bust of Gainsborough above the main entrance; a bas-relief across the third floor, designed by Isidore Konti; and tile murals by Henry Chapman Mercer's Moravian Pottery and Tile Works at the top stories. Some studios have 18-foot (5.5 m ...
That three-word phrase—once so weighty—becomes a default expression of affection, the words rolling off your tongue automatically when you walk out the door or hang up the phone.
Crash bar doors in a school, with upper vertical rod latches. A crash bar (also known as a panic exit device, panic bar, or bump bar) [1] [2] is a type of door opening mechanism which allows users to open a door by pushing a bar.
Gainsborough painted the work in the summer of 1785, when the subjects, William Hallett (1764–1842) and Elizabeth Stephen (1763/4-1833) were both aged 21, shortly before their wedding at the church of St Lawrence in Little Stanmore on 30 July 1785. Gainsborough was commissioned by Hallett, and paid 120 guineas (£126).