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Daniel 10:6 mentioned an angel with a face like lightning, and Ezekiel 1 since lightning associates with the creatures surrounding God. Daniel 7:9 described God himself as appearing white as snow. [4] This suggest that angels are linked to God and that they are more than mere messengers, but they also play an important theophonic role. [5]
Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().
The hair on his head were white like wool, and his eyes were like blazing fire. His feet were like burnt bronze glowing in a furnace (...) His face was like the sun shining in all its brilliance" (Revelation 1:12–16, NIV). Use in art of the Revelation description of Jesus has generally been restricted to illustrations of the book itself, and ...
Jesus' skin tone referenced in the Bible, was like burnt bronze. [61] which should determine that he would have most likely been darker skinned. Among the points which were made in the study was the fact that the Bible says that Jesus's disciple Judas Iscariot needed to point him out to those who
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the crucifixion , it is devoid of nails , blood , and a crown of thorns , because, according to Dalí, he was convinced by a dream that these features would mar his depiction of Christ.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep.
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