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Mary Stuart, Queen of Scots, became a figure of great interest to Byrd when she was 7 years old, and learned that her birthday was the same as Mary's, and her mother Emma's birthday was the same as Queen Elizabeth I's. She began collecting biographies on the life of Stuart and wrote a play about her when she was 12. [2]
Mary of York (11 August 1467 – 23 May 1482) was the second daughter of King Edward IV of England and his queen consort Elizabeth Woodville. The first years of Mary's life were spent in close connection with her older sister Elizabeth of York (later Queen consort of England), who was eighteen months older. The princesses were raised and ...
Another theory sees the rhyme as connected to Mary, Queen of Scots (1542–1587), with "how does your garden grow" referring to her reign over her realm, "silver bells" referring to cathedral bells, "cockle shells" insinuating that her husband was not faithful to her, and "pretty maids all in a row" referring to her ladies-in-waiting – "The ...
The poem is often attributed to anonymous or incorrect sources, such as the Hopi and Navajo tribes. [1]: 423 The most notable claimant was Mary Elizabeth Frye (1905–2004), who often handed out xeroxed copies of the poem with her name attached. She was first wrongly cited as the author of the poem in 1983. [4]
Suddenly impoverished, Robinson was forced to work as a common mucker in a gold mine – the lone woman in a motley crew of men – to make ends meet. At night, she continued her quest to become a writer, typing by the light of a kerosene lamp on an ancient typewriter she borrowed from the town postmistress . [ 5 ]
On New Year's day 1562 Mary travelled from Holyrood Palace to Seton Palace and perhaps the poem was presented at the home of a leading courtier and her Master of Requests, George Seton, 7th Lord Seton. [4] 'Ane New Yeir Gift' is Scott's longest poem at 224 lines, and it is written in Middle Scots. [5] It is a lyrical poem in 28 stanzas of 8 ...
Entitled The Diary of Arthur Ogilvie (1897–1898) and Christabel's Diary (1899), they were also published in book form, but no copies of the former have survived. These have been taken to shed indirect light on Angus's life in early adulthood, which included abundant family and church work, and exercise in the form of walking and cycling.
Agnes began her literary career with a poem, Worcester Field, followed by The Seven Ages of Woman and Demetrius. Abandoning poetry, she produced Historical Tales of Illustrious British Children (1833), The Pilgrims of Walsingham (1835), and Tales and Stories from History (1836).