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An example of a rectangle using marching ants. The marching ants effect is an animation technique often found in selection tools of computer graphics programs. It helps the user to distinguish the selection border from the image background by animating the border.
Box-drawing characters, also known as line-drawing characters, are a form of semigraphics widely used in text user interfaces to draw various geometric frames and boxes. These characters are characterized by being designed to be connected horizontally and/or vertically with adjacent characters, which requires proper alignment.
Animation is a filmmaking technique whereby still images are manipulated to create moving images.In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film.
Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue . Line art can use lines of different colors, although line art is usually monochromatic.
Ipe lets users draw geometric objects such as polylines, arcs and spline curves and text. Ipe supports use of layers and multiple pages. Ipe supports use of layers and multiple pages. It can paste bitmap images from clipboard or import from JPEG or BMP, and also through a conversion software it can import PDF figures generated by other software.
ASCII art of a fish. ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable (from a total of 128) characters defined by the ASCII Standard from 1963 and ASCII compliant character sets with proprietary extended characters (beyond the 128 characters of standard 7-bit ASCII).
After drawing the outline, back-face culling is set back to normal to draw the shading and optional textures of the object. Finally, the image is composited via Z-buffering, as the back-faces always lie deeper in the scene than the front-faces. The result is that the object is drawn with a black outline and interior contour lines.
The stroboscopic effect makes each seem to be a single animated object. By allowing the rotation speed to be slightly out of synchronization with the strobe, the animated objects can be made to appear to also move slowly forwards or backwards, according to how much faster or slower each rotation is than the corresponding series of strobe flashes.