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"Til the World Ends" is a song written by Dave Loggins and performed by Three Dog Night, who in 1972 had had a Top 20 hit with Loggins' "Pieces of April": produced by Bob Monaco and Jimmy Ienner and arranged by Jimmie Haskell, [1] "Til the World Ends" was featured on the 1975 Three Dog Night album, Coming Down Your Way.
"Till the World Ends" is a song by American singer Britney Spears from her seventh studio album, Femme Fatale (2011). It was written by Kesha , Dr. Luke , Alexander Kronlund , and Max Martin , while the production was handled by Luke, Martin and Billboard .
In a 1995 radio interview, Cohen said of the song: [2] [3] 'it's curious how songs begin because the origin of the song, every song, has a kind of grain or seed that somebody hands you or the world hands you and that's why the process is so mysterious about writing a song.
"Till the End of Time" is a popular song written by lyricist Buddy Kaye and composer Ted Mossman and published in 1945. The melody is based on Frédéric Chopin's Polonaise in A flat major, Op. 53, the "Polonaise héroique". [2] A number of recordings of the song were made in 1945.
Till We Meet Again" is an American popular song. The music was written by Richard A. Whiting, the lyrics by Raymond B. Egan in 1918. Written during the Great War, the song tells of the parting of a soldier and his sweetheart. The title comes from the final line of the chorus:
"Piano in the Dark" was released in early 1988, nine years after Russell's previous charting single on the Billboard Hot 100 (1979's "So Good, So Right"). The ballad [ 1 ] [ 4 ] gained heavy airplay and became Russell's biggest hit, peaking at number 6 on the Billboard Hot 100 , number 8 on the R&B chart [ 5 ] and number 3 on the Adult ...
"Till" is a popular song with music by Charles Danvers and English lyrics by Carl Sigman, [1] released in January 1957 by Percy Faith. [2] It was derived from the French song "Prière Sans Espoir", [ 1 ] released in 1956 by Lucien Lupi on the EP L'Amour Viendra [ 3 ] with original French lyrics written by Pierre Benoit Buisson.
Chuck Taylor, of Billboard magazine reviewed the song favorably, calling the song "admittedly more abstract" but the average listener will pick out certain lines and find a relatable message. He goes on to say that "alongside, the piano-driven, orchestrated melody is his most captivating yet lush and instantly memorable." [1]