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A multisided record is a type of vinyl record that has more than one groove per side. This technique allows hidden tracks to be encoded on LPs, 45 rpms and 78 rpms. On a disc that has a multi-groove, whether the listener plays the main track or the hidden track depends on where the stylus is cued.
"Groove of Midnight" had been recorded as a demo by Michael Jackson during the 1986–87 Bad album sessions. "Baby's Got It Bad" is a reworked version of "Got the Hots", a demo recorded by Michael Jackson during the 1982 Thriller album sessions (included as a bonus track on the Japanese release of Thriller 25 ).
The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.
Stamped matrix number on a vinyl album with the film score for Diamonds are forever. A matrix number is an alphanumeric code (and on occasion, other symbols) stamped or handwritten (or a combination of the two) into the run-out groove area of a phonograph record. This is the non-grooved area between the end of the final band on a record's side ...
Dusty Groove is a Chicago-based online record store specializing in new and vintage jazz, funk, soul, hip-hop, world, rare, collectible, and vinyl records and CDs. [4] Dusty Groove building at 1120 N Ashland Avenue. Front entrance to the Dusty Groove Chicago store. Interior of Dusty Groove on an early weekday.
The third disc of the deluxe set, Cowboys from Hell: The Demos, was released as a separate limited edition vinyl LP at the same time. [37] It was exclusively available at Metal Club record stores. [36] [38] The 2010 reissue of the album managed to reach No. 117 on the Billboard 200 and No. 8 on Catalog Albums, selling 4,200. [40] [41]
A gatefold cover, when folded, is the same size as a standard LP cover (i.e., a 12½-inch [32.7-centimetre] square). The larger gatefold cover provided a means of including artwork, liner notes , and/or song lyrics, which would otherwise not have fit on a standard record cover.
A collaboration between Pryor, designer Gary Burden, artist Rick Griffin, and photographer Henry Diltz, the album art for Richard Pryor was a parody of the "naked savage" covers often seen on National Geographic. Pryor, clad only in a loincloth, wore a ring in his nose and stared defiantly at the camera as he brandished a primitive-looking bow ...