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The Relic is a 1997 American monster-horror film directed by Peter Hyams and based on the best-selling 1995 novel Relic by Douglas Preston and Lincoln Child. The film stars Penelope Ann Miller , Tom Sizemore , Linda Hunt , and James Whitmore .
Forrest James Ackerman [1] (November 24, 1916 – December 4, 2008) was an American magazine editor; science fiction writer, and literary agent; a founder of science fiction fandom; a leading expert on science fiction, horror, and fantasy films; [2] a prominent advocate of the Esperanto language; and one of the world's most avid collectors of genre books and film memorabilia. [3]
Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940), widely known simply as Scott Fitzgerald, [1] was an American novelist, essayist, and short story writer. He is best known for his novels depicting the flamboyance and excess of the Jazz Age , a term he popularized in his short story collection Tales of the Jazz Age .
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Francis Fitzgerald "Larry" Vincent (June 14, 1924—March 8, 1975) was an American television horror host, famed for his character Seymour, who presented—and heckled—low-budget horror and science fiction movies on Fright Night on KHJ-TV and Seymour's Monster Rally on KTLA, both local stations in Los Angeles between 1969 and 1974.
“I don’t have a pulse, and she’s cold,” he told the 911 operator, according to audio of the call. Paramedics arrived minutes later, and Susann was pronounced dead at 6:35 a.m., her death ...
Kroll has a cameo appearance as her older self in the closing scene of the movie where she is looking in a bookstore window. Ring was also the editor of the Automobile Club of Southern California's Westways magazine, and brought some of the best writers of the time to it, including Anais Nin and Wallace Stegner. [2]
Relic is a 1995 novel by American authors Douglas Preston and Lincoln Child, [1] and the first in the Special Agent Pendergast series. As a horror novel and techno-thriller , it comments on the possibilities inherent in genetic manipulation , and is critical of museums and their role both in society and in the scientific community.