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"Today's the Day" is a pop song written and recorded by American singer-songwriter Pink to serve as the new theme song for season 13 of The Ellen DeGeneres Show. [1] The song was co-written and produced by Greg Kurstin. It was released to digital retailers as an official single on September 10, 2015, through RCA Records and Warner Bros. [2]
Pink is a pale tint of red, the color of the pink flower. [2] [3] [4] It was first used as a color name in the late 17th century. [5]According to surveys in Europe and the United States, pink is the color most often associated with charm, politeness, sensitivity, tenderness, sweetness, childhood, femininity, and romance.
Theming is the use of an overarching theme to create a holistic and integrated spatial organization of a consumer venue. [1] A theme is a unifying or dominant idea or motif on which any new construction idea, new style generation, any product is designed.
Robert Gaskins, one of the creators of PowerPoint, says he publicly demonstrated that use for the first time at a large Microsoft meeting held in Paris on February 25, 1992, by using an unreleased development build of PowerPoint 3.0 running on an early pre-production sample of a powerful new color laptop and feeding a professional auditorium ...
Johns draws on the work of Barbara Carper to expand on the notion of "looking out" at a situation. [28] Five patterns of knowing are incorporated into the guided reflection: the aesthetic, personal, ethical, empirical and reflexive aspects of the situation. Johns' model is comprehensive and allows for reflection that touches on many important ...
Punk aesthetics determine the type of art punks enjoy, which typically has underground, minimalist, iconoclastic, and satirical sensibilities. Punk has generated a considerable amount of poetry and prose, and has its own underground press in the form of zines. Many punk-themed films have been made.
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Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records.It was initially met with a lukewarm critical response in the United States, although it peaked at number 10 on the Billboard Top LPs chart.