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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
A "standard" patch is made up of four tones. Each tone can have two different waveforms, one for the left channel and one for the right channel. Waveforms can be either preset waveforms, or samples (both work the same way.) Rhythm patches are made up of 16 tones, each one assigned to a note. Rhythm tones can be made up of up to four waveforms. [2]
Before the advent of on-screen displays, the only interface available for programming a home video recorder was a small VFD, LED or LCD panel and a small number of buttons. Correctly setting up a recording for a specific programme was therefore a somewhat complex operation for many people. G-Code, VideoPlus+ and ShowView were removed this ...
Roland Systems Group is a line of professional commercial audio and video products. Amdek was incorporated in 1981 "as a manufacturer of computerized music peripherals and as a distributor of assembled electronic music instrument parts."
Boss CE-1 Chorus Ensemble. Boss released its first pedal, the CE-1, in 1975 after the "chorus" effect proved popular among guitarists with its use in the JC-120 and JC-60 Jazz Chorus amplifiers, released by Boss's parent company Roland Corporation. [12]
After the recording of the Chorus album Erasure went on tour. He took on the challenge of using a Roland MC-4 as the main sequencer to control various synthesizers live. The synthesizers controlled by the MC-4 included a Minimoog, Roland Juno 60, Sequential Circuits Prophet-5, Oberheim Xpander and a Roland Jupiter 8.
The Roland MKS-20 is a digital piano–type sound module released by Roland Corporation in 1986, simultaneously with the Roland RD-1000 digital stage piano.The MKS-20 and RD-1000 share the same "Structured/Adaptive Synthesis" sound engine; the RD-1000 integrates that engine into a musical keyboard-type MIDI controller with size, weight, and features similar to the Roland MKB-1000.
The RE-101 and RE-201 were followed by the RE-150, which had two playback heads and different controls. In 1977, Roland released the RE-301 Chorus Echo, which features a chorus effect, followed in 1980 by the rackmount RE-501 and RE-555 units. [1] [2] The digital RE-3 and RE-5 units were released in 1988. [2]