Ad
related to: medieval weaving loom patterns
Search results
Results from the WOW.Com Content Network
Limited patterns are not, of course, a disadvantage when weaving plainer patterns, such as tabbies and twills. Jack looms (also called single-tieup-looms and rising-shed looms [ 16 ] ), have their treadles connected to jacks, levers that push or pull the heald frames up; the harnesses are weighted to fall back into place by gravity.
Weaving was known in all the great civilisations, but no clear line of causality has been established. Early looms required two people to create the shed and one person to pass through the filling. Early looms wove a fixed length of cloth, but later ones allowed warp to be wound out as the fell progressed.
It was usual for a loomshop to contain three or four looms which were worked by members of the family. In the house below was a kitchen and scullery and living room on the ground floor and two bedrooms on the first, a typical two-up-two-down cottage. Sometimes a row of cottages would have a common loom-shop above, allowing several looms to be ...
Tablet weaving is especially freeing, because any pattern can be created by turning individual tablets. This is in contrast to normal looms, in which the complexity of the pattern is limited by the number of shafts available to lift threads, and the threading of the heddles. Tablet weaving can also be used to weave tubes or double weave.
Various designs of looms can be used, including upright or "high-warp" looms, where the tapestry is stretched vertically in front of the weaver, or horizontal "low-warp" looms, which were usual in large medieval and Renaissance workshops, but later mostly used for smaller pieces.
The earliest evidence of warp-weighted looms comes from sites belonging to the Starčevo culture in modern Serbia and Hungary from late Neolithic sites in Switzerland. [4] This loom was used in Ancient Greece, and spread north and west throughout Europe thereafter. [5] It was extensively used in the north among Scandinavian people. [6]
A reed is part of a weaving loom, and resembles a comb or a frame with many vertical slits. [1] It is used to separate and space the warp threads, to guide the shuttle's motion across the loom, and to push the weft threads into place. [2] [3] [1] In most floor looms with, the reed is securely held by the beater. [1]
A table-top inkle loom was patented by Mr. Gilmore of Stockton, CA in the 1930s but inkle looms and weaving predate this by centuries. Inkle weaving was referred to 3 times in Shakespeare: in Love's Labour's Lost (Act III, Scene I), Pericles, Prince of Tyre (Act V), and in The Winter's Tale (Act IV, Scene IV). [6]
Ad
related to: medieval weaving loom patterns