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Two principal methods for weaving the sedge exist: one involving the use of tools or machines, the other performed entirely by hand. These are sometimes referred to as "close" and "sparse" weaving. [ 3 ] [ 4 ] [ 5 ] Machine weaving is predominantly used for making mats, whilst boxes, bowls and baskets require hand weaving.
Tree shaping (also known by several other alternative names) uses living trees and other woody plants as the medium to create structures and art. There are a few different methods [2] used by the various artists to shape their trees, which share a common heritage with other artistic horticultural and agricultural practices, such as pleaching, bonsai, espalier, and topiary, and employing some ...
Three heddle-rods for weaving twill. The warp-weighted loom is a simple and ancient form of loom in which the warp yarns hang freely from a bar, which is supported by upright poles which can be placed at a convenient slant against a wall. Bundles of warp threads are tied to hanging weights called loom weights which keep the threads taut. [1]
The Wandering Earth is a collection of ten science-fiction short stories by Chinese writer Liu Cixin, published by Head of Zeus in 2016 and Tor Books in 2017. [1] [2] It includes the eponymous novella The Wandering Earth, which was adapted in the movie The Wandering Earth in 2019 and expanded with the prequel The Wandering Earth 2 in 2023.
McKay claimed that weaving, for her, was a spiritual path rather than a craft. [5] She claimed she was strictly instructed by Spirit as to how and what to weave. [5] Because of the sacred nature of her weaving, she usually wove in private. [4] In keeping with Pomo tradition, she used sedge for her baskets and redbud for the red designs.
The Song of Wandering Aengus" is a poem by Irish poet W. B. Yeats. It was first printed in 1897 in British magazine The Sketch under the title "A Mad Song." [ 1 ] It was then published under its standard name in Yeats' 1899 anthology The Wind Among the Reeds . [ 1 ]
Calamus muelleri, commonly known as southern lawyer cane or wait-a-while, is a climbing palm with a vine-like habit, endemic to the subtropical coastal rainforests of northern New South Wales and southern Queensland. Sharp hooks on the plant can snag the clothing of walkers in these forests, giving rise to the name "wait-a-while".
The traditional weaving material is muka, fibre prepared from the New Zealand flax (Phormium tenax) by scraping, pounding and washing. The muka fibre was dyed using natural dyes . There has been a resurgence of tāniko and other Māori cultural practices starting in the 1950s and as part of the broader Māori Renaissance .