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The album's cover art, composed by Alton Kelly and Stanley Mouse, is based on an illustration by Edmund Joseph Sullivan for an old edition of the Rubaiyat of Omar Khayyam. [4] Though the album has been known by the sobriquet "Skull & Roses", the original vertical gatefold cover unfolds to reveal the entire skeleton.
The album cover features a black and white photograph of the band sprawled across the arms of a proportionately larger naked woman. A rose conceals one of her nipples while singer Anthony Kiedis' standing body conceals the other. Several national chains refused to sell the record because they believed the female subject displayed too much nudity.
Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]
The skull and crossbones signify "Poison" when they appear on a glass bottle containing a white powder, or any container in general. The skull that is often engraved or carved on the head of early New England tombstones might be merely a symbol of mortality, but the skull is also often backed by an angelic pair of wings, lofting mortality ...
Over 160 massive carvings were found dotting the desert landscape, photos show.
The bandy-bandy is a smooth-scaled, glossy snake with a distinctive pattern of sharply contrasting black and white rings that continue right around the body. Bandy-bandys are strikingly distinguishable from other Australian land snakes by their unique banding pattern, [ 3 ] which gives the species both its common names and its scientific name ...
Metropolitan Museum of Art, New York Bashi-Bazouk (possibly titled Bachi-Bouzouk nègre ) [ 1 ] is an oil on canvas painting by French artist Jean-Léon Gérôme , from 1869. It depicts a Bashi-bazouk , who was an irregular soldier of the Ottoman Empire .
Ayida-Weddo is symbolized by the rainbow, snake, thunderbolt, and white paquet congo. [6] When represented in art, she is often depicted as a serpent consuming its own tail. [2] [13] In veves, she is invariably portrayed alongside Damballa as one of two dancing or intertwined serpents. White, as the purest color, represents her in ceremony.