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Gordenker, Emilie E.S.: Van Dyck and the Representation of Dress in Seventeenth-Century Portraiture, Brepols, 2001, ISBN 978-2-503-50880-1; Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
Baroque Fashion 1600s; Costume History: Cavalier/Puritan; Women's Fashions of the 17th Century Archived 3 September 2006 at the Wayback Machine (engravings by Wenceslaus Hollar) Etchings of French 1620s men's fashion (mostly) by Abraham Bosse; Surviving embroidered linen jacket c. 1620 at the Museum of Costume
14th-century Italian silk damasks. Clothing in 12th and 13th century Europe remained very simple for both men and women, and quite uniform across the subcontinent. The traditional combination of short tunic with hose for working-class men and long tunic with overdress for women and upper-class men remained the norm.
Cravat as worn in the 19th century. The cravat (/ k r ə ˈ v æ t /) is a neckband, the forerunner of the modern tailored necktie and bow tie, originating from a style worn by members of the 17th century military unit known as the Cravats. [1] The modern British "cravat" is called an "ascot" in American English.
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A mantua (from the French manteuil or 'mantle') is an article of women's clothing worn in the late 17th century and 18th century. Initially a loose gown, the later mantua was an overgown or robe typically worn over stays, stomacher and either a co-ordinating or contrasting petticoat. The mantua or manteau was a new fashion that arose in the ...
Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4; Cunnington, C. Willett and Phillis Emily Cunnington: Handbook of English Costume in the Eighteenth Century. London: Faber, 1972. Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for ...
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another.