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Chaapp Tilak Sab Chheeni is considered as Amir Khusru‘s most known Kalam which is basically a penned version of his imagination of devotion and the joy of oneness with the eternal one. This poetry is an epic example where an inherent middle eastern art form gets entangled with the Indic philology, custom and art a unique twist between the two ...
English Translation: O Mind, worship the merciful Shri Ramchandra. He is the one who will remove the terrible fear of birth and death from this world. His eyes are like newly blossomed lotuses. His face is like a lotus, his hands are like a lotus, and his feet are like a red lotus. ॥1॥
In Dvapara Yuga, You incarnated as Krishna, Radha's Lord./ You are the Savior who taught the Gita./ In every age You assume the appropriate form. Son of Nanda the shepherd, enchanting flute player, come oh come Lord of Radha. In the Age of Treta, You incarnated as Rama, Lord of Sita. In the Age of Dvapara, You incarnated as Krishna, Lord of Radha.
Main Naahin Maakhan Khaayo is a popular Indian bhajan, a Hindu devotional song written by 15th-century mystic-poet, Surdas set to Raga Ramkali. [1] [2] It is written in Braj Bhasha, a dialect of Hindi native to Braja, and epitomizes Vātsalya (Parental Love) Rasa describing an episode from the lilas of Krishna.
The English translation by Swami Prabhavananda and Christopher Isherwood is used by English-speaking Vedanta Centers in the evening vesper worship services: Breaker of this world's chain, We adore Thee, whom all men love. Spotless, taking man's form, O Purifier, Thou art above the gunas three, Knowledge divine, not flesh; Thou whom the cosmos ...
Hari Tuma Haro is an Indian bhajan or devotional song by Mirabai, the 15th-century poet saint. It was Mahatma Gandhi 's favorite song, who requested M S Subbulakshmi 's rendition for what was to be his last birthday celebrations.
The focus of kirtan is on the lyrics or mantras, which deliver religious messages and stories. Guy Beck, writing on the northern kirtan tradition, states that "melody and rhythm are important, but devotional singers normally deplore musical virtuosity for its own sake, in contrast with the classical Hindustani and Karnatak traditions, which ...
The devotional hymn "Madhurāṣṭakam" of Vallabha was created to lead the devotee in Pustimarga, the Path of Grace, which involves a constant love-filled devotion to Krishna by various acts of homage, such as singing , remembering (smarana), conceptualising and beholding a beatific image of the deity and offering of services (seva ...