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The Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969. They are seen as one of Brakhage's major works [1] [2] and include the feature-length 23rd Psalm Branch, considered by some to be one of the filmmaker's masterworks [3] and described by film historian P. Adams Sitney as "an apocalypse of imagination."
Psalm 23 is the 23rd psalm of the Book of Psalms, beginning in English in the King James Version: "The Lord is my shepherd".In Latin, it is known by the incipit, "Dominus regit me ".
"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire.
Chilling, Thrilling Sounds of the Haunted House is an LP album intended for "older children, teenagers, and adults", [1] released by Disneyland Records (now known as Walt Disney Records). The album was mainly composed of sound effects that had been collected by the sound effects department of Walt Disney Studios.
Gelineau psalmody is a method of singing the Psalms that was developed in France by Catholic Jesuit priest Joseph Gelineau around 1953, with English translations appearing some ten years later. [1]
Chichester Psalms was recorded in the 1970s by the Choir of King's College, Cambridge, in the version with only three instrumentalists. It was conducted by Philip Ledger with James Bowman as the countertenor soloist. The instrumentalists were David Corkhill (percussion), Osian Ellis (harp) and James Lancelot (organ).
The Lord Is My Shepherd is a sacred choral composition by John Rutter, a setting of Psalm 23. The work was published by Oxford University Press in 1978. [ 1 ] Marked "Slow but flowing", the music is in C major and 2/4 time. [ 2 ]
"Spooky, Scary Skeletons" is a Halloween song by American musician Andrew Gold, first released on his 1996 album Halloween Howls: Fun & Scary Music. [2] Since the 2010s, the song has received a resurgence in popularity online as an Internet meme. [2] [3] In 2013, The Living Tombstone created a dubstep remix of the song.