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The scale degree chords of B-flat major are: Tonic – B-flat major; Supertonic – C minor; Mediant – D minor; Subdominant – E-flat major; Dominant – F major; Submediant – G minor; Leading-tone – A diminished
Here, the first chord—stretching two octaves from D 2 to D 4 —is a diatonic (so-called white-note) cluster, indicated by the natural sign below the staff. The second is a pentatonic (so-called black-note) cluster, indicated by the flat sign; a sharp sign would be required if the notes showing the limit of the cluster were spelled as sharps.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-. If a chord root is not in the scale, the symbols ♭ or ♯ can be added. In the key of C major, an E ♭ triad would be notated as ♭ 3.
In a minor key triads i and iv are minor chords, but in chord V the leading-tone is generally raised to form a major chord. [2] For example, in A minor the primary triads are Am, Dm and E. Chord v (minor) in a minor key might be expected to be a primary triad, but its use is rare in common practice harmony.
The 4th symphony begins with a slow introduction in the tonic minor, with suggestions of B minor and other keys, only reaching a firm B-flat major in bar 43. [44] Chromatic mediant modulations also find long-range use in the 7th symphony ; the keys of C major and F major that are introduced in the slow introduction of the first movement finding ...
Category: B-flat instruments. 3 languages. ... This is a category for all transposing instruments that sound music written in the key of C in the key of B ...
Equal temperament ⓘ An A-major scale, followed by three major triads, and then a progression of fifths in equal temperament. The beating in this file may be more noticeable after listening to the above file. Equal temperament and just intonation compared ⓘ A pair of major thirds, followed by a pair of full major chords. The first in each ...