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Each vehicle-specific paint scheme consisted of a color placement pattern and a combination of four out of twelve colors from the Federal Standard 595 (FS595) color reference. [1] The colors and pattern scheme could be adjusted as the environments changed. [1] Military modelers often emulate the schemes when painting models and soldiers. [1]
Federal Standard 595 is the color description and communication system developed in 1956 by the United States government. Its origins reach back to World War II when a problem of providing exact color specifications to military equipment subcontractors in different parts of the world became a matter of urgency.
Black lettering must be used over brown or green paint, green lettering over black paint, and brown lettering over white or tan paint. There are only two authorized methods of making bumper numbers: using adhesive vinyl (stickers) and paint.
Contrary to the preceding systems, RAL Design features no names and its numbering follows a scheme based on the CIELAB colour space, specifically cylindrical CIEHLC. Each colour is represented by seven digits, grouped in a triple and two pairs, representing hue (000–360 degrees, angle in the CIELab colour wheel), lightness (same as in L * a ...
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It includes 24 patches in a 4 × 6 grid, each slightly under 2 inches (5.1 cm) square, made of matte paint applied to smooth paper, and surrounded by a black border. Six of the patches form a uniform gray lightness scale, and another six are primary colors typical of chemical photographic processes – red, green, blue, cyan, magenta, and yellow.
Tan is a pale tone of brown. The name is derived from tannum (oak bark) used in the tanning of leather. [1] The first recorded use of tan as a color name in English was in the year 1590. [2] Chestnut oak bark, formerly used in tanning. Colors which are similar or may be considered synonymous to tan include: tawny, tenné, and fulvous.
It was the first new paint for most equipment under Amtrak, for a small number of locomotives that had been painted into experimental and promotional paint schemes. [6] The scheme was part of Amtrak's larger move to a visual identity featuring the national colors of red, white, and blue. [ 7 ]
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