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Chōyaku Hyakunin Isshu: Uta Koi (超訳百人一首 うた恋い) (English: "One Hundred Poems Super Translation: Love Song") is a Japanese historical Josei manga written and illustrated by Kei Sugita, and published by Media Factory. An anime adaptation by TYO Animations began airing in July 2012.
Ariwara no Narihira (在原 業平, 825 – 9 July 880) was a Japanese courtier and waka poet of the early Heian period.He was named one of both the Six Poetic Geniuses and the Thirty-Six Poetic Geniuses, and one of his poems was included in the Ogura Hyakunin Isshu collection.
Lady Kasa (笠郎女, Kasa no Iratsume) was a Japanese female waka poet of the early 8th century.. Little is known of her except what is preserved in her 29 surviving poems in the Man'yōshū; all these were love poems addressed to her lover Ōtomo no Yakamochi who compiled the Man'yōshū (and who is known to have had at least 14 other lovers and to have broken up with her).
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period. The anthology ...
Midaregami (みだれ髪, Tangled hair) is a collection of tanka (短歌, “Short poem”), written by the Japanese writer Akiko Yosano during the Meiji period in 1901. [1] Although later celebrated for its softly feminist depictions of a woman's sexual freedom , her work suffered heavy criticism at the time of publication for subverting ...
Hyakunin Isshu (百人一首) is a classical Japanese anthology of one hundred Japanese waka by one hundred poets. Hyakunin isshu can be translated to "one hundred people, one poem [each]"; it can also refer to the card game of uta-garuta, which uses a deck composed of cards based on the Hyakunin Isshu.
The Man'yōshū is an anthology of Japanese waka poetry. It was compiled in the eighth century (during Japan's Nara period), likely in a number of stages by several people, [1] with the final touches likely being made by Ōtomo no Yakamochi, [1] the poet whose work is most prominently featured in the anthology. [2]
The poems themselves explore nature, the court society, culture, and love and relationships. A highlight can be shown from the interlude in section 9, as the central character rests beside the yatsuhashi or eight bridges in the famous iris marshes of Mikawa province. The poem he composes combines these themes: the sense of loss at leaving the ...