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Japanese design is based strongly on craftsmanship, beauty, elaboration, and delicacy. The design of interiors is very simple but made with attention to detail and intricacy. This sense of intricacy and simplicity in Japanese designs is still valued in modern Japan as it was in traditional Japan. [89]
Modernist architecture in Japan. Pages in category "Modernist architecture in Japan" The following 27 pages are in this category, out of 27 total.
Kenzō Tange (丹下 健三, Tange Kenzō, 4 September 1913 – 22 March 2005) [1] was a Japanese architect and winner of the 1987 Pritzker Prize for Architecture.He was one of the most significant architects of the 20th century, combining traditional Japanese styles with modernism, and designed major buildings on five continents.
Arata Isozaki: Isozaki was born on July 23, 1931, in Kyushu, Japan. He studied architecture at the University of Tokyo. In 1963 he opened up his own studio and was the leading architect during the postwar period in Japan. Isozaki's first building he worked on was the Ōita Prefectural Library (1966). [7] Kenzo Tange: Tange was born on September ...
Ban's work encompasses several schools of architecture. First he is a Japanese architect, and uses many themes and methods found in traditional Japanese architecture (such as shōji) and the idea of a "universal floor" to allow continuity between all rooms in a house. In his buildings, this translates to a floor without change in elevation.
The following is a chronological list of notable Japanese architects This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
Japanese-Western Eclectic Architecture (Japanese: 和洋折衷建築, Hepburn: Wayō Se'chū Kenchiku) is an architectural style that emerged from the Eclecticism in architecture movement of the late 19th and early 20th century, which intentionally incorporated Japanese architectural and Western architectural components into one building design.