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The 1996 Belgian movie Camping Cosmos was inspired by drawings of James Ensor, in particular Carnaval sur la plage (1887), La mort poursuivant le troupeau des humains (1896) and Le bal fantastique (1889). The film's director, Jan Bucquoy, is also the creator of a comic Le Bal du Rat mort inspired by Ensor. [33]
4 Art and architecture. 5 Births. 6 Deaths. ... Faune des vertébrés de la Belgique: ... Carnaval sur la plage; Fernand Khnopff, ...
Beach in Pourville (title in French: La plage à Pourville, soleil couchant) is a painting by French artist Claude Monet. [1] It is one of an 1882 series of oil-on-canvas works by Monet in the small seaside resort of Pourville-sur-Mer (now part of the commune of Hautot-sur-Mer), near Dieppe in northern France.
Exhibition poster for La Libre Esthétique, Designed by Georges Lemmen, 1910. Georges Lemmen (1865, Schaerbeek – 1916, Brussels) was a neo-impressionist painter from Belgium. He was a member of Les XX from 1888. [1] His works include The Beach at Heist, Aline Marechal and Vase of Flowers. Yvonne Serruys studied in his workshop in Brussels ...
Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival , a festival before Lent .
Clotilde en la playa, 1904 Paseo del faro, 1906 Elena en la playa, 1909. Born in Valencia, Joaquín Sorolla had been familiar since his youth with life on the sea. In his early work, there is the traditional port view Marina, Barcos en el Puerto with which he made his debut in the art exhibition Expsoición National in Madrid in 1881. [17]
The Cliff Walk at Pourville is an 1882 painting by the French Impressionist painter Claude Monet.It currently resides at the Art Institute of Chicago.It is a landscape painting featuring two girls atop a cliff above the sea.
The Harlequin's Carnival (Spanish: Carnaval de Arlequín) is an oil painting painted by Joan Miró between 1924 and 1925. It is one of the most outstanding surrealist paintings of the artist, and it is preserved in the Albright–Knox Art Gallery in Buffalo, New York.